The Concert for Bangladesh (originally spelt The Concert for Bangla Desh) is a live triple album credited to "George Harrison & Friends" and released on Apple Records in December 1971 in the United States and January 1972 in the United Kingdom. The album followed the two concerts of the same name, held on 1 August 1971 at New York's Madison Square Garden, featuring Harrison, Bob Dylan, Ravi Shankar, Ali Akbar Khan, Ringo Starr, Billy Preston, Leon Russell and Eric Clapton. The shows were a pioneering charity event, in aid of the displaced Bengali refugees of the Bangladesh Liberation War, and set the model for future multi-artist rock benefits such as Live Aid (1985) and the Concert for New York City(2001). The event brought Harrison and Starr together on a concert stage for the first time since 1966, when the Beatles retired from live performance, and represented Dylan's first major concert appearance in the U.S. in five years.
Co-produced by Phil Spector, The Concert for Bangladesh features his Wall of Sound approach in a live setting. Besides the main performers, the musicians and singers include Badfinger, Jim Horn, Klaus Voormann, Alla Rakha, Jim Keltner, Jesse Ed Davis and Claudia Lennear. Minimal post-production was carried out on the recordings, ensuring that the album was a faithful document of the event. The box set's packaging included a 64-page book containing photos from the concerts; the album cover, designed by Tom Wilkes, consisted of an image of a malnourished child sitting beside an empty food bowl. The album was delayed for three months due to protracted negotiations between Harrison and two record companies keen to protect their business interests, Capitol and Columbia/CBS.
On release, The Concert for Bangladesh was a major critical and commercial success. It topped albums charts in several countries and went on to win the Grammy Award for Album of the Year in March 1973. Together with the 1972 Apple concert film directed by Saul Swimmer, the album gained Indian classical music its largest Western audience up until that time. It was reissued in 2005, four years after Harrison's death, with revised artwork. As of 2011, sales of the album continue to benefit the George Harrison Fund for UNICEF, which raised $1.2 million for children in the Horn of Africa, in a campaign marking the album's 40th Anniversary.
The CONCERT For BANGLADESH
While in Los Angeles in June 1971, and after being made aware of the gravity of the situation in what was then known as East Pakistan by friend and musician Ravi Shankar, George Harrison set about organising two fundraising concerts at Madison Square Garden, New York, to aid the war-ravaged and disaster-stricken country. In the middle of these hurried preparations, he composed the song "Bangla Desh" in order to call further attention to the Bengalis' cause, and rush-released it as a charity single four days before the shows. The recent success of his All Things Must Pass triple album[ allowed Harrison to headline the all-star UNICEF benefit concerts, backed by a 24-piece band of musicians and singers, on Sunday, 1 August 1971.[ The shows marked the first time that Harrison and Ringo Starrhad performed on stage together since the Beatles quit touring in 1966; since then, they, like Bob Dylan, had been mostly unavailable to concert audiences. In Dylan's case, it was his first appearance at a major US concert in five years, although his participation had been uncertain until he walked on for his segment midway through the afternoon show.
The concerts were highly successful in raising international awareness of the plight of the refugees – thought to number up to 10 million – and a cheque for over US$243,000 was soon sent to UNICEF for relief. The media lavished praise on Harrison as an ambassador for rock altruism; Rolling Stone magazine hailed the event as proof that "the Utopian spirit of the Sixties was still flickering".With concert recording having been carried out at Madison Square Garden by Gary Kellgren, using the Record Plant's 16-track mobile unit,[26] Harrison intended to raise significantly more money via a live album of the event, to be issued on the Beatles' Apple Records label, followed by Apple Films' concert documentary, also to be titled The Concert for Bangladesh.
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